Drawing portraits is a unique endeavor. Whether using live models or photographs, the goal is to capture the essence of the subject. However, it is undeniable that in portraying something, you also portray yourself. This duality arises from the connection you have with what you are drawing. Your brain interprets the figure based not only on what you see but also on your past visual experiences. The images you recall are idealized and infused with personal emotions.
Drawing a portrait is thus both a sensual exercise and a battlefield between observation (light, shadows, shapes) and memory (how the image has captivated you and the intensity of your desire toward it). When we draw a subject, we experience a complex blend of admiration and indiference, reflecting our intricate relationship with the image
